The album opens with “Last Chants,” a psychedelic journey through Sun Araw’s strange soundscapes. The song is filled with tribal drumming, distant echo-affected vocals, and a plethora of ambient noise and laser sounding synthesizers. The next song, “Midnight Locker,” is a dark, tempoless meandering of noise. Bouncing keyboards and percussive pounding (you can’t quite call it drumming) guide the song while a background guitar reminiscent of early Pink Floyd floats over the top. “Deep Temple,” the next track, carries on with the tribal and spiritual theme, as tape-hiss filled guitars play over delayed synthesizers and tropical drums. Over its 11 minute span, the track is simultaneously reminiscent of Indian music, reggae, and dubstep, somehow.
The album takes a darker turn with the fourth track, “In the Trees.” The song is a 9 minute, horrifyingly strange psychedelic jam. Stallones trades his echo pedal he used so religiously on the earlier tracks for a distortion pedal; twisted guitars play over a repetitive bass line while distorted vocals shout out from the foreground. The closing track of the album, “Canopy,” picks up where “In the Trees” left off. With another looped bassline, the song meanders over a reggae like groove, conjuring images of a
fantasy beach from some psychedelic nightmare.
Off Duty is a highly enjoyable EP, filled with echo drenched guitars and ambient synthesizers recorded with intentionally lo-fi methods. The EP creates a soundscape of some strange primal meditation, a spiritual reflection of sorts. However, Sun Araw’s drone-influenced, noise tracks are certainly not for all listeners. But for fans of more experimental music, Sun Araw will be very enjoyable experience. And it certainly is an experience.
-Will McCall
If you like Sun Araw and other Woodsist Records projects, tune in to Left of the Dial on Monday-Friday from 4-6 p.m.